France Germany 1870-1871 War, commune, memories  Exhibition from 2017 April 13 until July 30
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Exhibition from 2017 April 13 until July 30 France Germany
War, commune, memories 
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 Édouard Manet
The Execution of Maximilian, 19 June 1867, 1868 (detail)
Musée de l’Armée, Paris
© Paris, musée de l’Armée, Dist RMN-GP / Pascal Segrette

Visitor itinerary

The 1870–1871 war was the founding event that set the tone for Franco-German relations and paved the way for Europe’s future path. It effectively put an end to the diplomacy-centred balance of power known as the Concert of Europe, as well as the ‘repose of Europe’, ideas that did not resurface, in a different form, until the post-1945 period.
The conflict pitted France, a country that had spent several centuries building and consolidating its unity across a succession of political regimes, against Germany, a nation as yet unformed, comprising a collection of more recently emerged states.

In France, despite the proclamation of the Republic, pre-existing social tensions and the patriotic fervour triggered by Napoleon’s defeat led to the Paris Commune and the outbreak of civil war. In Germany, victory served to unify the country, symbolised by the proclamation of the Empire in the Hall of Mirrors at Versailles. A huge diversity and multiplicity of memories of the war exist on both sides, French and German, from official and personal sources. These recollections give us invaluable insights into the conflict’s lasting impact on European societies.

The chronology of these events should be placed within a long-term context that reveals their true span and origins, reaching back to 1864, a year that marked the start of the German unification wars, and 1875, which saw the ‘War in Sight’ crisis; their span stretches from the Wars of Liberation (1813–1815) and Congress of Vienna (1815) to the Treaty of Versailles in 1919, which brought World War I to a close.


 Eagle from the Flag of the 21st Line Infantry Regiment, 1860 model Musée de l’Armée, Paris
© Paris, musée de l’Armée, Dist RMN-GP / Pascal Segrette
 Emil Hünten
The Battle of Königgrätz [Die Schlacht bei Königgrätz], circa 1885
German Historical Museum Foundation, Berlin
© Deutsches Historisches Museum, Berlin/ S. Ahlers

France and the German states: the path from peace to war

The Prussian Empire, vying with the Austrian Empire for supremacy over Germany, was becoming steadily more powerful, a rise that seemed unstoppable once Otto von Bismarck took office in 1862. German unification, with Prussia at its heart, began with the war against Denmark, known as the War of the Duchies (1864–1865), and continued with the 1866 Austro-Prussian War (Deutscher Krieg – German War). Prussia emerged as the victor of the 1866 conflict, thus compromising an Austro-centric German unification (großdeutsche Lösung – greater German solution) and leading to the creation of the North German Confederation (kleindeutsche Lösung – little German solution) in 1867.
In France, the Second Empire was facing particularly forceful opposition, both political and social, even with the introduction of a series of reforms designed to liberalise the regime, and efforts to bring about military reforms failed. An ambitious but ambiguous foreign policy cost a great many lives in Crimea and Italy, proved risky in Mexico, and combined with several diplomatic setbacks in the power struggle with Prussia served to further isolate and weaken the Empire. Despite the unfavourable situation, the ailing Napoleon III listened to the assurances of his General Staff and yielded to warmongering elements, declaring war on Prussia on 19 July 1870.
 Napoleon III’s medical kit Palais de Compiègne
© Palais de Compiègne, Dist RMN-GP / Thierry Ollivier
 Anton Von Wrener
The Late Count von Moltke in His Study at Versailles [Graf Moltke in seinem Arbeitszimmer in Versailles], 1872
Hamburger Kunsthalle, Hamburg, Beer Carl Heine bequest, 1882
© BPK, Berlin, Dist. RMN-Grand Palais / Elke Walford

The two phases of the war

The first month of the conflict was marked by a number of episodes that conditioned the memories of the warring parties: the Reichshoffen charge, the high casualty rate of the battle of Gravelotte, the battle of Sedan, a disaster or triumph depending on the point of view. Both sides were surprised: the Germans by the rapidity of their victories and the collapse of the imperial army, the French by the speed of the German invasion and the relentless series of defeats.

Napoleon III’s surrender resulted in the fall of the Second Empire and the forming of the Government of National Defence (4 September 1870), which decided to pursue the war. The Prussian General Staff then proceeded to lay siege to Paris and bombarded the city to force the government to surrender and end the war.

In a quest to liberate Paris, the Republic mobilised additional forces from the rest of the country, calling on battalions from the Mobile National Guard, volunteers and francs-tireurs. Nevertheless, despite a powerful surge of patriotism, the lack of officers, equipment and adequate military training meant that the National Defence armies failed to turn the tide of the war.
 Young Volunteer Insignia from 1870–1871 Musée de l’Armée, Paris
© Paris, musée de l’Armée, Dist. RMN-GP / Emilie Cambier
 Uniform of a Staff Lieutenant in Garibaldi’s Musée de l’Armée, Paris
© Paris, musée de l’Armée, Dist. RMN-GP / Pascal Segrette
 Appert Eugène Ernest
Prussiens, place de la Concorde, Paris, mars 1871
Paris, musée de l'Armée
© Paris, musée de l’Armée, Dist. RMN-GP / Pascal Segrette

The war in everyday life

The 1870–1871 war is usually seen as a 19th-century conflict, symbolised by the ‘pointless’ charges of the Cuirassiers in their gleaming uniforms. The reality was in fact far bleaker, and far more modern. The war was waged very differently by the Germans, who were attacked but did not fight on their own territory, and the French, whose civilian population was directly affected by the fighting. Each army condemned the other for its brutality, embodied for the Germans by the francstireurs and ‘turcos’ – the nickname given to the Algerian skirmishers – and for the French by the uhlans (unit of German lancers) and plunderers.

Phenomena and sights associated in collective memory with the conflicts that marked the 20th century emerged during this war. Strasbourg, Belfort and Paris came under bombardment and were partially destroyed as civilians hid in their cellars. The atrocities perpetrated against civilian populations were publicised by the press and influenced public opinion in other countries. The number of French prisoners was far higher than the Prussian General Staff’s predictions in terms of the human and material resources needed to deal with them. In addition, France suffered the invasion of a third of its territory during the war, remaining partially occupied until it paid the war indemnity in full, in September 1873.
 Château de Versailles. Louis XIII Gallery (Sick Rooms Decorated for Christmas), 25 December 1870. Friedrich Bruckmann Verlag (publisher), 1870,
Musée de l’Armée, Paris
© Paris, musée de l’Armée, Dist. RMN-GP / Pascal Segrette
 Wire Splint from Madame Savalle’s Ambulance at Mars-La-Tour, 1870 Museum of the Franco-Prussian War of 1870 and the Annexation, Gravelotte
© Studio Doncourt

The armistice and the commune

By late January 1871, France was no longer capable of waging war. On 26 January, the armistice was signed and immediately applied. It demanded that elections be held so that a legitimate government could be formed and serve as an official negotiating partner to Germany. The negotiations produced the Treaty of Frankfurt on 10 May 1871: Germany annexed part of Alsace and Lorraine, and imposed a war indemnity of 5 billion gold francs as well as a victory parade by Prussian troops in Paris.

However, on 22 January, the Parisians, furious in the wake of the siege and feeling betrayed by the government, refused to accept defeat and demanded the election of a Commune. The city had not actually been captured by German troops, and its residents roundly condemned those they saw as capitulators. The 18 March insurrection triggered municipal elections and the proclamation of the Paris Commune. Similar uprisings also occurred in Lyon, Marseille and Toulouse.

Exasperation mounted on both sides: the federated forces’ anger at the ‘capitulators‘ equalled the Versailles-based government’s fury with the rebels. A civil war to destroy the Commune broke out: from 3 April to 28 May 1871, the second siege of Paris was made possible by Bismarck’s attitude; without offering any military intervention, he nevertheless made the French army’s task easier. The conflict pitted two armies of tens of thousands of combatants against each other. The Commune collapsed after two months of fighting and the rebels were subjected to brutal repression by the government: the Bloody Week was followed by executions and harsh sentences.
 Communard’s Greatcoat Musée de l’Armée, Paris
© Paris, musée de l’Armée, Dist. RMN-GP / Emilie Cambier
 Rise up All Good Citizens!, 1871 Musée de l’Armée, Paris
© Paris, musée de l’Armée, Dist RMN-GP / Pascal Segrette
 Gabriel Blaise
Pont de Saint-Côme sur la Loire. Vue des arches brisées rive droite
Paris, musée de l’Armée, don d’Emmanuel Boëlle, 1987
© Paris, musée de l’Armée, Dist. RMN-Grand Palais / Pascal Segrette

After the war

The war marked the dawn of a new era in the political, diplomatic and military spheres. 1871 saw new regimes in place in France and Germany, while the withdrawal of French troops from Rome paved the way for the final phase of Italian unification.

France quickly got back on its feet, despite the losses of territory and payment of the war indemnity, and forged ahead with its new ambitions by developing its colonial empire. Aware of having been militarily outclassed, the country reformed its military policy, completely overhauled the army, in terms of both organisation and equipment, and cultivated the spirit of revenge in the hope of retrieving Alsace and Lorraine. The unification of Germany and dividends of victory served to boost its economy, already growing rapidly, and the country become a success story. As antimilitarist sentiment surfaced in certain circles in France, Germany saw the emergence of a mostly middle-class fascination for the military institution.

The subtle and complex manoeuvrings of European diplomacy had confined the 1870–1871 war to France and the German states. However, in 1875 a short-lived diplomatic crisis, dubbed ‘War in Sight’, revealed a new politico-strategic configuration, with both Great Britain and Russia ready to support France in a bid to contain Germany whose excessive power they saw as a threat. Bismarck then felt that Germany should adopt a pacifying policy in Europe.
 Jean-Jacques Henner
Alsace. She is Waiting, 1871
Donation Pierre Brault family, 1972
Jean-Jacques Henner National Museum, Paris
© Muée Jean-Jacques Henner, Dist RMN-GP / Franck Raux
 Royal Prussian Army photographic unit
Reception Room with the Statue ‘The Death’, Saint-Cloud Castle. (Images of military life in Paris and Strasbourg during the 1870–71 campaign. Book V, Plate 4)
J. B. Obernetter (publisher), 1870
German Historical Museum Foundation, Berlin
© Deutsches Historisches Museum, Berlin

Memories of the war and the commune

The war and its political and diplomatic consequences left a lasting mark on European artistic output and cultural life. In France and Germany, remembrance of the war was very soon incorporated into architecture and town planning: war-related monuments, memorials and place names were widespread throughout the two countries. At the same time, groups of former combatants were springing up everywhere, working alongside local authorities and the Church to organise commemorations and ensure their success.

In France, in spite of defeat and invasion, remembrance of the war contributed to the republican reconstruction of national history. It was brought to life in spectacular forms, with painted panoramas, figurative art and monumental sculptures that emphasised the courage of the vanquished. Remembrance of the Commune, spurred on by censorship and paradoxically strengthened by the opposition it encountered, took shape in forms that were more modest but that helped it to be transmitted, such as books, songs, engravings and photographs. This form of remembrance carried on developing after the amnesty. The damage and destruction wrought by the war and the Commune was the topic of lively debate: should the ruins of the ‘annus horribilis’ be preserved or eradicated ? Should damaged buildings be restored or new ones built in their place ?

In Germany, post-victory elation was expressed through historically-themed paintings, statues, monuments dedicated to the Emperor, Bismarck and Moltke, and painted panoramas depicting battles. Historians and journalists also busied themselves retracing the history of the unification wars, soon presented as a founding ‘triptych’.
 Alphonse de Neuville
The Last Cartridges or Defending a House Surrounded by the Enemy, 1873
The House of the Last Cartridge, Bazeilles
© RMN-GP / Hervé Lewandowski
 Antonin Mercié
Gloria Victis, circa 1872
Orsay Museum, Paris, RF 1835
Donation Ernest May, 1924, assigned to the Orsay Museum, 1986
© RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski